Read Agency (The Jackpot Trilogy Book 2) By William Gibson

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Agency (The Jackpot Trilogy Book 2)-William Gibson

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AN INSTANT NEW YORK TIMES BESTSELLER“ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral.   William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current events.   Verity Jane, gifted app whisperer, takes a job as the beta tester for a new product: a digital assistant, accessed through a pair of ordinary-looking glasses. “Eunice,” the disarmingly human AI in the glasses, manifests a face, a fragmentary past, and a canny grasp of combat strategy. Realizing that her cryptic new employers don’t yet know how powerful and valuable Eunice is, Verity instinctively decides that it’s best they don’t.   Meanwhile, a century ahead in London, in a different time line entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His boss, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice are her current project. Wilf can see what Verity and Eunice can’t: their own version of the jackpot, just around the corner, and the roles they both may play in it.   *The Boston Globe

Book Agency (The Jackpot Trilogy Book 2) Review :



Let’s just get this out of the way. There’s a particular review that was put up the day the book was released where it’s clear the reviewer was triggered by the book and wrote a review, having not actually finished the book but got so mad at Gibson for talking about what’s wrong and right.Anyone surprised by the political tone of this book—kleptocracy baaa’d—either hasn’t read Gibson before or hasn’t thought that one of the main themes in his books has always been: Money and the consequences of extreme wealth. You don’t need to be Einstein to realize Neuromancer was as deeply political about economics as much as it was about technology. Almost all his book have these themes. This book is where he is most explicit about it. If you’re surprised that Gibson has a different political opinion than you do, you may want to pause and consider that one of the most prescient writers of the future and near-future is very much saying what is currently going on is deeply wrong.What this book in particular is very much about is Freedom-agency to choose one’s path.I will say it may not be Gibson’s best book but I think it’s his most effective at capturing a certain sense of the future that a lot of people are feeling right now. And that is worth something. It’s a quick read. Enjoy. Think of what might have been. Also think: what if we’re in a stub?Feb 22.2020 Addendum: now that that awful Troll of a review has been removed or deleted, hopefully, in time, a much better review than mine will be the top review
I’m profoundly disappointed. I feel as though this is a hodge podge of other successful Gibson plot elements: All Tomorrow’s Parties sunglasses, Neuromancer’s AI, Blue Ant’s protagonist now named Verity whose uncanny sense is now for tech, the vaguely ominous but startlingly empathic and efficient characters from Peripheral all glued into a weak, superficial, fast narrative. This isn’t even a meaningful imagining of an alt-Trump America: the unnamed female president appears in a couple of sentences like a paper cutout waving in the breeze, half seen and then gone. Eunice, arguably the most intriguing character, well.... there ain’t enough of her in this book. At one point, the characters idly discuss the nature of “stubs,” these captioned pasts that weren’t until they abruptly ARE, while racing to their next banal assignation; as if alternative realities are no more exciting than Japanese denim sales, OS upgrades, or mummy bags. Certainly the protagonist handles the complete reinvention of all she has ever understood the universe to mean with aplomb, even ennui.Ugh. Go back and read the Bridge or the Blue Ant trilogy, still vibrating with prophetic beauty and inspiring technology. Give this a pass.

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